SIE Magazine

What are the challenges of filming a foreign culture?

Cinema of Change Podcast

Filmmaking Pitfalls in Deal-Making and Distribution

Tobias Deml

“Crip Camp”: Unified Disability opens Sundance 2020

Robert Rippberger

Cinema of Change vs Propaganda

Kitty Hu

The Invisible Ones: Disability on Screen

Brittany Smith

Film Theory 101: Understanding Benjamin, Metz, Kaplan via Lindsay Lohan

Carlos Monterrey

‘Ex Machina’ Explores Modern-day Access to Information

Spencer Moleda

‘7 Days in Syria’: An Essential Portrait

Dr George Larkin

The Picture Press

Gabe Torres

Mr. President…

Yoni Weinberg

My Favorite Murderer: HBO’s The Jinx and The Perverse Pleasure of Commodified Crime

briensouthward

The Infertile Silence

Matthew Neel

YouTube of Change

Danny Glasgow

Translated Screams

Sky Nite

The Unsolved Problem of Interactive Narratives

Eden Cantu

Power and Romance

Tony Frere

The Integrity of Style

Isabelle Caps Kuhn

The Power of an Imaginary Cinema

Daniela Dean

Lars Von Trier and His Leading Ladies

Owen Kent

Stephen Hawking vs The Elephant Man

Riley Hayes

SUPERSIZING AWARENESS

Jodie Howard

Films That Changed The World: Philadelphia (1993)

Yang Liu

Framing the discussion of 50 Shades of Grey

Matt DeMartini

Whiplash to Birdman: Pursuing Greatness and All That Jazz

Bill Bria

Out of the Basement: The Social Impact of ‘Parasite’

Sebastian Pichelhofer

How AXIOM Seeks to Liberate Cinema Cameras

Jessa Zarubica

The Subversive Golden Globes 2015

George Romo

The Shape Of Things To Come: The Future Of Independent Filmmaking And The Studio System

Samuel Rubin

Creative Activists Without Borders

Álvaro Pelegrín

Distorted screens: the false connection between deformity and crime

Ace Salvador

Are Blogs Shaping the Evolution of Film Criticism?