[iframe style=”border:none” src=”http://html5-player.libsyn.com/embed/episode/id/3569467/height/360/width/640/theme/legacy/” height=”360″ width=”640″ scrolling=”no” allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen] Subscribe to Podcast Welcome to the Cinema of Change podcast with Robert Rippberger and Tobias...
In 1929, legendary filmmaker Cecil B. DeMille told a story to a group of film engineers about needing to shoot a scene with Thomas Meighan, Gloria...
[iframe style=”border:none” src=”http://html5-player.libsyn.com/embed/episode/id/3557798/height/100/width/480/thumbnail/no/theme/legacy” height=”100″ width=”450″ scrolling=”no” allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen] Subscribe to Podcast Welcome to the Cinema of Change podcast with Tobias Deml and Robert...
In our search to understand what makes a masterpiece or blockbuster work, we concluded in our last article that these films work because they shine for...
Lars von Trier, the “enfant terrible” of contemporary cinema, has grown a reputation for putting his female protagonists in harms way. Half of von Trier’s films...
Through the dark and damp corridor she sneaks away, fearing and shivering, sweating and crying. Something is hunting her, a creature that knows how to move underground,...
[iframe style=”border:none” src=”http://html5-player.libsyn.com/embed/episode/id/3317140/height/100/width/480/thumbnail/no/theme/legacy” height=”100″ width=”450″ scrolling=”no” allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen] Subscribe to Podcast Welcome to the Cinema of Change podcast with Tobias Deml and Robert...
There are many ways to look at films, and to have conversations about what we as filmmakers do and ought to do. The conversation is usually...
John Ford, the director known for such classic films as The Searchers and The Grapes of Wrath, once said, “Make a movie for them, make a...
It seems like today’s world cinema is separated into two categories: The one category is what we call ‘entertainment’ cinema – all those Blockbusters we watch...
