Through the dark and damp corridor she sneaks away, fearing and shivering, sweating and crying. Something is hunting her, a creature that knows how to move underground,...
I learned about the existence of Die Welle one morning in high school as I casually looked over the 2008 Sundance Film Festival catalogue, only slightly bitter that...
Challenging the Status Quo The apertus° project was created by filmmakers who were fed up with the expensive and limited tools they had to work with...
[iframe style=”border:none” src=”http://html5-player.libsyn.com/embed/episode/id/3317140/height/100/width/480/thumbnail/no/theme/legacy” height=”100″ width=”450″ scrolling=”no” allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen] Subscribe to Podcast Welcome to the Cinema of Change podcast with Tobias Deml and Robert...
There are many ways to look at films, and to have conversations about what we as filmmakers do and ought to do. The conversation is usually...
“Good evening and welcome you bunch of despicable, spoiled, minimally talented brats.” Tina Fey began the Golden Globes with that biting sentiment. What was significant about...
well the phrase that signals the beginning of the end: “They’ve become self-aware.” Now I’m no John Connor, but I am here to warn you that...
Often maligned, misunderstood, underrated and trivialized, style is an integral element of visual storytelling. Mock it. Embrace it. Exude it. Or create it. Style is an...
For it’s 1993 release, the Jonathan Demme film, Philadelphia, set a novel precedent. At this time, the HIV/AIDS virus was essentially a death sentence for the...
John Ford, the director known for such classic films as The Searchers and The Grapes of Wrath, once said, “Make a movie for them, make a...
