In 1916, Henry D. Hubbard, the Secretary of the U.S. National Bureau of Standards, spoke to the inaugural meeting of the Society of Motion aturengineers (SMPE),...
When film transitioned to sync sound in the late 1920s, practitioners faced the question of sound perspective. Specifically, when recording sound on set, where should the...
In 1929, legendary filmmaker Cecil B. DeMille told a story to a group of film engineers about needing to shoot a scene with Thomas Meighan, Gloria...
